The study of feminist cultural memory is not a wide field of scholarship in Australia and it certainly bas not as yet become a distinctive field internationally. But a body of literature bas emerged over the past ten years which attempts to reconstruct, remember and forget aspects of the women's liberation movement, prompting this engaging, erudite and sophisticated study ofthe cultural memory o fAustralian feminists. Margaret Henderson explores various dimensions of feminist cultural memory through a consideration of the psychoanalytic categories of mourning and melancholia. The central texts under consideration are feminist histories, autobiographies, films and historical novels. These include histories of the feminist movement by Marilyn Lake (Getting Equal), Gisela Kaplan (Meagre Harvest), Jean Curtboys (Feminist Amnesia) and Chilla Bullbeck (Living Feminism). Autobiographies by leading activists are also considered, including those by Ann Summers, Zelda D'Aprano, Susan Ryan and Wendy McCarthy. The journalism of Gennaine Greer and Ann Summers, and historical novels by Sara Dowse, Janine Burke, Finola Moorhead and Sally Morgan provide the basis of further analysis. The emergence of postfeminist cultural memory in radio, film and television is considered in discussions of The Coming Out Show, and feature films such as Waiting, The Last Days of Chez Nous and Simone de Beauvoir's Babies. Henderson also considers the way in which men have remembered feminism. The discussion of manhood of the 1990s, through self-help manuals and therapy to liberal- minded discourse of celebrity males as well as stereotypical impressions of the 'ordinary bloke', signifies a limited political vocabulary when remembering the past and knowing feminism.