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The Mysterious Case of Carter Brown, or, Who Really Killed the Australian Author

The Literary Reputation of Adam Lindsay Gordon

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Review of *Bluestocking in Patagonia*, by Anne Whitehead

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Golden Fish: On Reading J. S. Harry

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

The Eco-Humanities as Literature: A New Genre?

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

Salt Scars: John Kinsella’s Wheatbelt

‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print Culture

Reading Dickens

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s

Minding Elephants and the Rhetorics of Destruction

Beyond Capricornia: Ambiguous Promise in Alexis Wright

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*