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- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Les Murray: Watching with His MouthEssay1 October 2001
- The Art of ‘Cracking Normal’Essay1 October 2001
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- How to Use a Street Directory: Detail and Knowledge in the Work of Alan WearneEssay1 November 1998
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Miles Franklin and ‘The Survivors’Essay1 May 2011
- Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip ButterssReview1 November 2013
- Charismatic Masculinity in David Malouf’s FictionEssay1 May 2010
- Helen Garner’s EducationEssay28 October 2021
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023