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Narrative Perspective and Cultural History in *Robbery Under Arms*

An Interview with Archie Weller

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

About Face: Asian-Australians at Home

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Future Tense: *Dead Europe* and Viral Anti-Semitism

Elizabeth Jolley’s Late Work

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

Where Literary Studies Is, and What It Does

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

‘Our Literary Connexion’: Rosa Praed and George Bentley

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

‘The Kingdom of Dust’: *Voss* as Planetary Epic