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The Time of Biopolitics in the Settler Colony

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

Jack Lindsay and MI5: More than Surveillance

Review of *Australian Poets* series

Brunton Stephens as Literary Critic

Romantic Attitudes in *Geoffry Hamlyn*

Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*

Australia’s ‘First’ Dramatists

A Checklist of Australian Literature of World War I

Catherine Helen Spence, Unitarian Utopian