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- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Les Murray: A Selective ChecklistEssay1 October 2001
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005