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Charles Harpur’s ‘Midsummer Noon’: A Structuralist Approach

Small Presses and Little Magazines in the 1970s

The Language of Music: Helen Garner’s *The Children’s Bach*

Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*

Oodgeroo in China

Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous Author

Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis Borges

Setting the Record Straight: Bibliography and Australian Literature

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Review by Adrian Mitchell

The Making of Thomas Keneally

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and Euphemism

Review of the *Australian Writers and Their Work* series, edited by Geoffrey Dutton

Notes on Slessor’s ‘Five Visions’