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Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Shame in Ruth Park’s Inner Sydney Novels

Bilingual Education, Translation and Sovereignty: Stories from the Literature Production Centres of Aboriginal Australia

A.G. Stephens: The Critical *Credo*

Getting Started: The Emergence of Christina Stead’s Early Fiction

Christina Stead: An Interview

Treating Dora in *His Natural Life*

*Fredy Neptune*: Metonymy and the Incarnate Preposition

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

The Time of Biopolitics in the Settler Colony

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

‘Our Literary Connexion’: Rosa Praed and George Bentley

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

*His Natural Life* and Its Sources