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- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- Christina Stead: An InterviewEssay1 May 1974
- Treating Dora in *His Natural Life*Essay1 May 2003
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- *His Natural Life* and Its SourcesEssay1 May 1971
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023