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Australian Literary and Scholarly Publishing in Its International Context

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

About Face: Asian-Australians at Home

*Geoffry Hamlyn* and Its Australian Setting

A. D. Hope and the Apocalyptic Splendour of the Sexes

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Not Reading the Nation: Australian Readers of the 1890s

Professing the Popular: Political Fiction circa 2006

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘How to encourage our literature’: Australian Fiction in the Australian Public Library

Disciplined Action? The Challenges of English at Canterbury and Beyond

‘The Kingdom of Dust’: *Voss* as Planetary Epic