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Asian Stereotypes in Recent Australian Plays

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

An Absence of Partisanship

A Reconsideration of Christina Stead at Work: Fact into Fiction

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Excavating a Bonanza: Sarah Campion

‘Talking with Yagan’s Head’: The Poetry of John Mateer

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

An Indian without a Country

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*