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- Charles Rowcroft, For ExampleEssay1 June 1966
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Kenneth Slessor and the GrotesqueEssay1 December 1964
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968
- A Checklist of Kenneth Mackenzie’s WorksEssay1 October 1970
- *His Natural Life* and Its SourcesEssay1 May 1971
- Review of *Henry Lawson, Letters 1890-1922* edited by Colin RoderickReview1 May 1971
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Further Evidence in the Early Use of ‘bushranger’Essay1 May 1972
- Authors’ Statements [T. A. G. Hungerford]Essay1 October 1981
- Imitations and Versions of Russian Poetry: The Record of an ExperimentEssay1 May 1983
- Review of *Unnatural Lives: Studies in Australian Fiction about the Convicts, from James Tucker to Patrick White* by Laurie HergenhanReview1 May 1984
- From Ballarat to Bendigo with Mark TwainEssay1 May 1985
- [Statement]Essay1 October 1985
- Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*Essay1 May 1982
- [Keeping Up Appearances]Essay1 October 1982
- Editors and Poets: Poetry in Australia 1931-1981Essay1 May 1982
- Pacifying the Socialist: The ‘Reform’ of Henry Lawson’s ‘The Hymn of the Socialists’Essay1 October 1982
- Review of *The American Model: Influence and Independence in Australian Poetry* ed. Joan Kirkby, and *Cross Currents: Magazines and Newspapers in Australian Literature* ed. Bruce BennettReview1 October 1982