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- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- Review of *Xavier Herbert* by Laurie ClancyReview1 October 1982
- Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley WalkerReview1 October 1984
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- David Malouf and the Language of ExileEssay1 October 1982
- Lawson, the *Bulletin* and the Short StoryEssay1 May 1983
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986
- Reminiscences of Kenneth Seaforth Mackenzie and E.L. Grant WatsonEssay1 May 1987
- ‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly TippingEssay1 May 1988
- New Light on Ada CambridgeEssay1 May 1989
- The Design of ‘For the Term of His Natural Life’Essay1 October 1974
- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- Homages and Invocations: The Early Poetry of Robert AdamsonEssay1 October 1989
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- Littoral Erosion: The Changing Shoreline of Australian CultureEssay1 May 1996
- *My Brilliant Career* and FeminismEssay1 October 2002
- My Brilliant Career and RadicalismEssay1 October 2002