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The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

English Studies in Australia: Repositioning the Subject

The ‘Hollowness’ of English? A Case for Narratology

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

On Not Having Sex: Sumner Locke Elliott and Queer History

Annual Bibliography of Studies in Australian Literature: 1985

Annual Bibliography of Studies in Australian Literature: 1988

Annual Bibliography of Studies in Australian Literature: 1997

Displaced Homelands in Gerald Murnane’s *Inland*

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*