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- Anthologies and OrthodoxiesEssay1 May 1987
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Reopening the Case of Ada CambridgeEssay1 October 1987
- Impossible Literary HistoriesEssay1 October 2010
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Alan SeymourEssay1 May 1974
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991