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- Charismatic Masculinity in David Malouf’s FictionEssay1 May 2010
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Interview with Kerry Reed-GilbertEssay5 May 2016
- Annual Bibliography of Studies in Australian Literature : 1970Essay1 May 1971
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Editing A.D. HopeEssay1 October 1986
- Society of Women Writers 1925-1935Essay1 May 2004
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014