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Professing the Popular: Political Fiction circa 2006

Future Tense: *Dead Europe* and Viral Anti-Semitism

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

An Indian without a Country

Finding Home: The Poetry of Margaret Scott

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Elizabeth Jolley’s Late Work

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Minding Elephants and the Rhetorics of Destruction

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

Amanda Lohrey's *Vertigo*: An Australian Pastoral

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

In the Club: Australian Crime Fiction in the USA 1943-1954

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century