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- An Indian without a CountryEssay1 June 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- H. G. Wells in AustraliaEssay30 May 1990
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018