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- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- How Australia’s Literary History Might be WrittenEssay1 May 1983
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Jack LindsayEssay1 October 1983
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Marcus Clarke and the TheatreEssay1 May 1975
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991