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Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

The Impact of Literature

In the Club: Australian Crime Fiction in the USA 1943-1954

Place, History and Story: Tony Birch and the Yarra River

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

Some Developments in Short Fiction, 1969-1980

Getting Started: The Emergence of Christina Stead’s Early Fiction

What Created, What Perceived?: Early Responses to New South Wales

Fred J. Broomfield: Research Assistant Extraordinaire

The Pursuit of Oblivion: In Flight from Suburbia

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

‘That Wild Run to London’ : Henry and Bertha Lawson in England

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Patrick White, Saul Bellow and the Problem of Literary Value

Interview with David Malouf

‘A Window of Life’: Essays on Ruth Park