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- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- An Interview with Tim WintonEssay1 October 1996
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- The Suburban Problem of EvilEssay1 November 1998
- John Foulcher’s DemocracyEssay1 October 1999
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Helen Garner’s EducationEssay28 October 2021
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992