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- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Gender ButtonsEssay1 November 2009
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- Recollections Through English SpectaclesEssay1 October 1979
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Review of *Required Reading: Literature in Australian schools Since 1945*, edited by Tim Dolin, Jo Jones and Patricia Dowsett.Review25 February 2018
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Australia’s ‘First’ DramatistsEssay1 May 1969
- The Writing of CapricorniaEssay1 May 1970
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981