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Performance for the People

Three-Dimensionality and *My Brother Jack*

The Art of ‘Cracking Normal’

Setting the Record Straight: Bibliography and Australian Literature

‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Becoming Native: Australian Novelists and the New Zealand Wars

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

**Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**

On Not Having Sex: Sumner Locke Elliott and Queer History

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Interview with Kerry Reed-Gilbert

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

Interview with Christina Stead

Interview with Andrew Taylor