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Three-Dimensionality and *My Brother Jack*

Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis Borges

On Not Being Australian: Mudrooroo and Demidenko

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

On Not Having Sex: Sumner Locke Elliott and Queer History

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Back to Whitton Week: Tracking Tom Keneally's Career

Getting Started: The Emergence of Christina Stead’s Early Fiction

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

‘This Country is My Mind’: Les Murray’s Poetics of Place

Demidenko/Darville: A Ukrainian-Australian Point of View

‘Our Literary Connexion’: Rosa Praed and George Bentley

Walter Murdoch : ‘A Humble Protest’?

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

The Making of Thomas Keneally