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- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Charles Rowcroft, For ExampleEssay1 June 1966
- Two Bibliographies : Hal Porter and Patrick WhiteEssay1 October 1967
- Australian Poetry of the First World War: A SurveyEssay1 May 1970
- Review of *Christina Stead* by R. G. GeeringReview1 October 1970
- Review of *Witnesses of Spring: Unpublished Poems* by Shaw NeilsonReview1 October 1971
- Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*Essay1 May 1982
- Review of books by Elizabeth Perkins, Vincent O'Sullivan, Veronica Kelly, Richard Fotherinham, Peter Putnis and Patrick MorganReview1 May 1989
- Emerson and Charles HarpurEssay1 May 1973
- The Ambiguous Modernist: Themes in the Development of the Poetry of John TranterEssay1 October 1980
- Ada Cambridge and the First *Thirty Years*Essay1 May 1990
- New Light on the Sources of *His Natural Life*Essay1 May 1997
- An Interview with Gabrielle LordEssay1 October 1999
- Alan Wearne: InterviewEssay1 November 1998
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999