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- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Jack LindsayEssay1 October 1983
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- The Fiction of Beverley FarmerEssay1 May 1990
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Towards the Source of ‘The Wanderer’Essay1 October 1979
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- A Checklist of the Poems of Robert D. FitzGerald, 1917-1965Essay1 May 1970
- Kenneth SlessorEssay1 October 1971
- Review of *Australian Melodrama: Eighty Years of Popular Theatre* by Eric IrvinReview1 May 1983
- Francis Webb’s Collected PoemsEssay1 October 1986
- New Light on Barbara BayntonEssay1 October 1976
- Review of books by Judith Wright, Douglas Stewart and James McAuleyReview1 October 1976
- Mary Gilmore - A MemoirEssay1 October 1972
- Review of *Christina Stead: A Life of Letters* by Chris Williams, *Christina Stead* by Diana Brydon, *Christina Stead* by Susan Sheridan, and *Christina Stead's Heroine: The Changing Sense of Decorum* by Kate Macomber SternReview1 May 1990