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Society of Women Writers 1925-1935

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Demidenko/Darville: A Ukrainian-Australian Point of View

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Henry Lawson and the ‘Pinker of Literary Agents’

Remembering the War: Australian Novelists of the InterWar Years

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Bibliographic Notes on Selected Irish-Australian Writers

Defining the Field of Irish-Australian Literature: Challenges and Conundrums

Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.