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Shirley Hazzard’s *The Transit of Venus* and the Question of Value

Review of *Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene* by Kathrin Bartha-Mitchell

Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of Trust

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and Anxiety

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Justice, Sacrifice and the Mother’s Poem

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Unknown Australia: Rosa Praed’s Vanished Race

‘But who considers woman day by day?’: Australian Women Poets and World War I

‘That Wild Run to London’ : Henry and Bertha Lawson in England

‘Phrases Between Us’: The Poetry of Anna Wickham

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism