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- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- An Interview with Archie WellerEssay1 October 1993
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007