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- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000