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- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Afterword: The Story of a BookmarkEssay1 June 2013
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Joseph Furphy, JacobeanEssay1 December 1966
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Review of *Xavier Herbert* by Laurie ClancyReview1 October 1982
- Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla ModjeskaReview1 May 1983
- David Malouf and the Language of ExileEssay1 October 1982
- James McAuley’s Captain QuirosEssay1 May 1987
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- Is There No End to Travelling? Paul Carter in the Linguistic No-Man’s-LandEssay1 May 1995
- Martin Boyd: A ChecklistEssay1 October 1972
- Voyage and Kaleidoscope in George Johnston’s TrilogyEssay1 October 1973
- The Lemurian NinetiesEssay1 May 1978
- Australian and New Zealand FictionReview1 May 1980
- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991