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- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Treating Dora in *His Natural Life*Essay1 May 2003
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- ‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative LifeEssay1 May 2009
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018