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A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

Local Moderns: The Jindyworobak Movement and Australian Modernism

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

English Studies at the University of New England: A Report from the Field.

The Impact of Literature

Daemonic Currents in Dorothy Porter’s Poetry

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Irish-Australian Literature: Ghosts, Genealogy, Tradition

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Books as Gifts: The Meaning and Function of a Personal Library

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Christina Stead’s Student Publications

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect