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Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

‘Talking with Yagan’s Head’: The Poetry of John Mateer

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Future Tense: *Dead Europe* and Viral Anti-Semitism

Finding Home: The Poetry of Margaret Scott

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

The Return of the Fairy: Australian Medievalist Fantasy for the Young

The ‘Hollowness’ of English? A Case for Narratology

Daemonic Currents in Dorothy Porter’s Poetry

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Reading in Public: Irene Longman and Citizenship

Towards the Source of ‘The Wanderer’

Francis Adams: Realism and Sensation in the 1880s

Introduction