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The One-Actor Play in Australian Drama

Gossip and History in the Novels of Brian Penton and Thomas Keneally

Hal Porter, *The Tower* and the Quintessence of Porterism

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

Man, Work and Country: The Production of Henry Lawson

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Excavating a Bonanza: Sarah Campion

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Dorothy Hewett’s Faith in Doubt