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‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

*The Sentimental Bloke* and His Critics

Patrick White’s Four Plays

Ned Kelly: The Flight of the Legend

Slessor’s ‘Five Visions of Captain Cook’

The Radiant Dream : Notes on Henry Kendall

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

Barbara Hanrahan’s Novels

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

Lawler’s Demythologizing of the Doll: Kid Stakes and Other Times

War Correspondents in Australian Literature: An Outline

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

Catherine Martin, Writer: Her Life and Ideas

Gender and Genre in Barbara Baynton’s *Human Toll*

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Reopening the Case of Ada Cambridge

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Representation and Particularity in Pastoral: Some Examples from *Walden*

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*