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- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Friendship in a Time of LonelinessEssay1 May 2009
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Treating Dora in *His Natural Life*Essay1 May 2003
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- Lawson, the *Bulletin* and the Short StoryEssay1 May 1983