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‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Of Sages and Sybils: Alec Hope and Judith Wright

Finding Home: The Poetry of Margaret Scott

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

English Studies at the University of New England: A Report from the Field.

Daemonic Currents in Dorothy Porter’s Poetry

Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*

Cosmopolitanism, Sovereignty and Medievalism

In the Club: Australian Crime Fiction in the USA 1943-1954

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

Charles Rowcroft, For Example

Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital Decade

Review by Craig Munro

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*