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Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Excavating a Bonanza: Sarah Campion

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

‘Talking with Yagan’s Head’: The Poetry of John Mateer

The Company She Keeps: Demidenko and Imposture in Autobiography

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Of Sages and Sybils: Alec Hope and Judith Wright

Finding Home: The Poetry of Margaret Scott

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

English Studies at the University of New England: A Report from the Field.

Daemonic Currents in Dorothy Porter’s Poetry

Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*

Cosmopolitanism, Sovereignty and Medievalism

In the Club: Australian Crime Fiction in the USA 1943-1954