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‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Golden Fish: On Reading J. S. Harry

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Generations Lost and Found: Reading Women Writers Together

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Where Literary Studies Is, and What It Does

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

The Return of the Fairy: Australian Medievalist Fantasy for the Young

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Daemonic Currents in Dorothy Porter’s Poetry

In the Club: Australian Crime Fiction in the USA 1943-1954

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Poetry, Activism and Cultural Capital

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Review of Martin Boyd, by Brenda Niall

Review by Martin Duwell