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- ‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and EuphemismEssay1 June 1966
- John Greenway on Folksong - A ReplyEssay1 June 1967
- Review of *Australian in Western Imaginative Prose Writings 1600-1960* by Werner P. FriederichReview1 October 1968
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*Essay1 October 1981
- Review of *On Dearborn Street* by Miles FranklinReview1 May 1982
- Short NoticesEssay1 May 1983
- Review of *Patrick White* by Brian KiernanReview1 May 1983
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- Review of *Australian Literary Pseudonyms: An Index with Selected New Zealand References* compiled by Bruce Nesbitt and Susan HadfieldReview1 October 1974
- Review of *Patrick White as Playwright* by J. R. DyceReview1 May 1975
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- The Influence of John Steinbeck’s *The Pastures of Heaven* on Patrick WhiteEssay1 May 1974
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Maang: Bagaan Di (a Message for My Elder Sister)Essay1 November 1994
- Review of *Antipodean Encounters: Australia and the German Literary Imagination 1754-1918* by Alan Corkhill, and *German Images in Australian Literature from the 1940s to the 1980s* by Irmtraud PeterssonReview1 May 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997