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- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Shaw Neilson’s PoetryEssay1 December 1966
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- Some Volumes of Selected Poems of the 1970s, IIReview1 May 1982
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- The Traditionalism of James McAuleyEssay1 October 1983
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992