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- A Decade of ComplaintsEssay30 October 2023
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- The Tennysons in Literary AdelaideEssay31 October 2015
- Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral ElegyEssay30 June 2015
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- Review of *Australian Poets* seriesReview1 December 1964
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- Australia’s ‘First’ DramatistsEssay1 May 1969
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- Review of *Xavier Herbert* by Laurie ClancyReview1 October 1982
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Adam McCay and Sydney’s Literary Bohemia (1911-1947)Essay1 October 1984
- Australian Poetry 1970-1980: Some Statistical ObservationsEssay1 May 1983
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- Joseph Furphy: An Annotated Checklist of Items in PeriodicalsEssay1 May 1984
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986