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- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- The Fortunate FlâneuseEssay1 November 2015
- A Critical Review of Writings on The Vocabulary of Australian EnglishEssay1 December 1963
- Louis Stone’s ‘Jonah’ : A Cinematic NovelEssay1 June 1965
- Folksong - A ProtestEssay1 June 1966
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- D. H. Lawrence’s AustraliaEssay1 October 1970
- David Campbell’s Poetic MindEssay1 October 1984
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Anthologies and OrthodoxiesEssay1 May 1987
- Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s BiographyEssay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989