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- Review of *Sightlines: Race, Gender and Nation in Contemporary Australian Theatre*, by Helen Gilbert, and *Our Australian Theatre in the 1990s*, edited by Veronica KellyReview1 May 1999
- *Under Twenty-Five* and the ‘Lost’ Stories of Murray Bail and Peter CareyEssay1 October 2010
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- The Text of Lawson’s ProseEssay1 December 1966
- Poetry into Life, Life into Poetry: Judith Wright and the AcademyEssay1 May 1979
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- John Manifold: Poet At CambridgeEssay1 May 1988
- The Cult of the AuthorReview1 October 1993
- Review of books by Debra Adelaide, Helen Daniel, Chris Tiffin, Ken Gelder and Paul SalzmanReview1 May 1990
- *The Time Is Not Yet Ripe* and Contemporary Attitudes to PoliticsEssay1 May 1978
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Review of *Australian Literary Criticism* edited by Grahame JohnstonReview1 December 1963
- A.G. Stephens as Editor of Barcroft Boake’s Poems : A CommentEssay1 May 1969
- D. H. Lawrence’s AustraliaEssay1 October 1970