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- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- Interview with David MaloufEssay1 May 2010
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Poetry, Activism and Cultural CapitalEssay1 November 2013