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- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Annual Bibliography of Studies in Australian Literature : 1971Essay1 May 1972
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Thomas Keneally: A ChecklistEssay1 May 1979
- Annual Bibliography of Studies in Australian Literature: 1978Essay1 May 1979
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging PhantomsEssay1 October 2004
- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- Gender ButtonsEssay1 November 2009
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012