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- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- Annual Bibliography of Studies in Australian Literature: 1992Essay1 May 1993
- Australian Letters and Postwar ModernityEssay1 October 2008
- Means and Ends in WritingEssay1 October 1979
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Folksong - A ProtestEssay1 June 1966
- The Poetry of Les MurrayEssay1 May 1985
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Alan SeymourEssay1 May 1974
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979