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Narcotic Entanglements: Recent Works of Australian Literary Criticism

Oodgeroo as Friend and Artist

Review of *Australian Poetry: Romanticism and Negativity* by Paul Kane, and *Bridging: Readings in Australian Women's Poetry* by Rose Lucas and Lyn McCredden

Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*

Kenneth Slessor and the Chinese

Review of *The Recollections of Geoffry Hamlyn*, *Maurice Guest*, and *The Journal of Annie Baxter Dawbin: July 1858 - May 1868*

Alan Wearne: Interview

Starting a Journal : ALS, Hobart 1963 : James McAuley, A D Hope and Geoffrey Dutton

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

Henry Kendall’s Religion

Authors’ Statements [Shirley Hazzard]

Irish Republicanism and the Colonial Australian Bushranger Narrative

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

Recentring Water: Thinking with the Chain of Ponds

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Irish-Australian Literature: Ghosts, Genealogy, Tradition

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories