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David Foster

Review of *James McAuley: Poetry, Essays and Personal Commentary* ed. Leonie Kramer, *Poetry and Gender: Statements and Essays in Australian Women's Poetry and Poetics* ed. David Brooks and Brenda Walker, and *A Question of Commitment: Australian Literature in the Twenty Years after the War* by Susan McKernan

Narcotic Entanglements: Recent Works of Australian Literary Criticism

Review of *The Recollections of Geoffry Hamlyn*, *Maurice Guest*, and *The Journal of Annie Baxter Dawbin: July 1858 - May 1868*

At a Distance

The Origin of ‘The Settler’s Lament’

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Sentimental Jonah’s Heart of Stone

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

Review of *Critical Essays on Kenneth Slessor* Selected and with an Introductory Essay by A.K. Thomson

After *925*

Charles Harpur and the Myth of Origins

Some Correspondence with Joan Lindsay

Review of *Theatre Comes to Australia* by Eric Irvin, and *A Family of Brothers: The Taits and J.C. Williamson; a Theatre History* by Viola Tait

Review of *Writing in Hope and Fear: Literature as Politics in Postwar Australia*, by John McLaren, and *A Rare Bird: Penguin Books in Australia 1946-96*, by Geoffrey Dutton

Review of *Henry Handel Richardson*, by Michael Ackland, *Henry Handel Richardson*, edited by Susan Lever and Catherine Pratt, and *The Tomis Complex: Exile and Eros in Australian Literature*, by Irina Grigorescu Pana

Review of *Rewriting God: Spirituality in Contemporary Australian Women 's Fiction*, by Elaine Lindsay, and *Feminist Poetics of the Sacred: Creative Suspicions*, edited by Frances Devlin-Gass and Lynn McCredden

Review of *Jock: A Life Story of John Shaw Neilson*, by Cliff Hanna