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- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*Essay1 October 1981
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Marcus Clarke and the TheatreEssay1 May 1975
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Ern Malley and His RivalsEssay1 May 2001
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- Reading (in/and) *Miranda*Essay1 May 2006
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012