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- Review of *From Australia with Love: A History of Modern Australian Popular Romance Novels*, by Juliet FleschReview1 May 2005
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa PetersenReview1 May 2003
- Review of *Jean Devanny: Romantic Revolutionary*, by Carole FerrierReview1 October 2000
- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Fathers and Lovers: Three Australian NovelsEssay1 October 1982
- Mansfield and Richardson: A Short Story DialecticEssay1 October 1983
- Jolley’s WomenEssay1 May 2009
- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016
- *State of the Art* Contributors - A SurveyEssay1 October 1984
- Review of *Unbridling the Tongues of Women. A Biography of Catherine Helen Spence*, by Susan MagareyReview1 October 1986
- Careering PoetryEssay1 October 1977